For faster browsing, click on the underlined text legend below any of the thumbnail images in the galleries. Use your browser BACK button to return you to the gallery. If you find a picture you like, you can download the image at full original resolution (mostly between 24-45 Mpixels; with some panoramas >100 Mpix) by clicking on the thumbnail itself. To save a downloaded image, right click on it and scroll to 'save picture as...'. To use an image as your desktop background, right click and scroll to 'set as background...'. Visitors are welcome to download images for personal use (e.g. as computer desktop wallpaper). Click HERE to order prints online. Please contact Ian Parker at evanescentlightphotography@gmail.com regarding possible commercial use.Details of copyright, image use and licensing are HERE.
The New Bentonite Hills, Hanksville, Utah - May 23,24
The Bentonite Hills in Utah are a unique geological formations, primarily composed of bentonite clay. This type of clay, known for its exceptional swelling properties and plasticity, gives the hills their distinct appearance and character. Formed from volcanic ash deposits undergoing weathering over millions of years, bentonite clay primarily consists of montmorillonite, along with other minerals like quartz, iron oxides, manganese and feldspar imparting their rich pigments to the soil and rock formations. Due to the diverse mineral composition the Bentonite Hills appear in colors, ranging from shades of red and orange to earthy browns, yellows and sometimes even blue - depending on the lighting and time of the day. The view is otherworldly…like something you might see on Mars Perhaps that’s why they built the Mars Desert Research Station” (MDRS) less than a mile away.
However, arriving in the middle of the day and stepping out of the car it was apparent that regular landscape photography approaches would not do a good job of capturing all this. One problem was that of perspective. The contorted ovals and concentric colored rings of the bentonite domes are not readily apparent from ground level. That had a ready solution, as I had brought my drone and the location is Federal land administered by the BLM (Bureau of Land Management), which allows the use of drones. A second problem was that the colors of the bentonite appeared rather brown and dull in full sunlight. The lighting at dawn and dusk gave an improvement, but I thought there was still more to be extracted.
My photos below thus show the results of applying progressively increasing levels of saturation to my drone shots. These do not depict false colors, or the hallucinations of AI, but reveal natural colors that are actually present, but are normally too subtle to be visible by eye.
The microwave tower (mile 14, checkpoint #1) is a landmark visible for many miles along the course of the race
Miles 15-23; Through the desert
Mile 24; Another sandstorm at the turnoff to Font's Point
Mile 31; Approaching Borrego Springs
Mile 40; Hellhole Canyon - checkpoint #3
Miles 40-41; Setting out on the hiking and riding trail
Atmospheric phenomena while we detoured back to camp overnight in the warm, dry desert (while, the runners continued through the night at higher elevations in cold, wet and misty conditions.)
Mile 45; Culp Vally, checkpoint #4
Miles 70-81; Climbing in mist and rain up the East Grade Road to the finish atop Palomar Mountain
Bob Becker - new record oldest finisher at
age 80!
Wall of skulls; National Museum, Oslo The work by by Sámi artist Maret Anne Sara is three meters high and four and a half meters long. It is composed of four hundred reindeer skulls, all with bullet holes in the forehead. They were originally dumped outside a courthouse as a protest against the Norwegian government, which had obligated the country’s indigenous Sámi people to kill a gigantic herd of reindeer.
A visit to northern latitudes in hope of encountering the Northern Lights. We flew to Tromso via Oslo, and there rented a car (our first experience with an electric vehicle, in a country where 95% on new car sales are electric). driving first to Senja island, and then via Narvik to the Lofoten Islands.
Driving from Senja to Lofoten we stopped for a night in Narvik - an opportunity to vsit the War Museum, and eatat the best fish restaurant we found in Norway (Fiskekroken)
The Trinigon Monument outside the War Museum in Narvik
National Monument for Peace, Narvik. Also known as "Trinigon." Erected by the Norwegian government on the 50th anniversary of the liberation of Norway. By the artist Espen Gangvik.
Skrolsvik Fort at the southwest tip of Senjawas built by the occupying Germans in 1941 during World War II. After the war, the Norwegian Navy took over the fort, and it became part of the fortifications under the Coastal Artillery . In 1989, the fort was closed down, along with many other forts in the same area. Large parts of the fort are still intact, both with bunkers and prepared/established permanent positions. In addition, the four German 15 cm guns are still intact.
After the closure, the Senjehesten Coastal Defence Museum took over the facilities, and the properties were put up for sale. The site has variously functioned as a campsite, hotel, and museum but now is open to wander in its decaying state.
We visited on a cold, grey and very windy day. A monochrome presentation seemmed most appropriate to capture the atmosphere.
After navigating the confusing intersections in tunnels under Tromso we drove a short 100km to the small town of Nordkjosbotn, siuated at the end of a long fjord extending to the sea. We stayed for two nights at Vollan Gjestestue, a cozy lodge with excellent food. Our first night was clouded in, but the second brought clear skies, so we drove out to the Signaldal valley for a clear view of Otertind, a stunning mountain peak that rises over 4000 feet above the river with dual peaks that look as if cleaved by the giant axe of a Norse god. For about two hours before clouds rolled in we were treated to a spectacular, ever changing display of auroral acrobatics.
To best (but still not fully) encompass the extent of the aurora I used my widest lens, an 11mm f4 Irix lens on a full frame Canom R5. The camera settings were a matter of compromise. Most published photos of auroras appear rather blurred, as the light changes rapidly. Aided here by relatively intense displays I was able to keep shutter speeds down to 4 or 8 seconds to maintain sharpness in the serrrations of the light fans. That necessitated a high ISO of 3200 but the R5 hendles these settings well, and processing with Topaz de-noise handled remaining noise.
We traveled to India on a trip orgainized by Joe van Os Photo Safaris. The primary objective was to photograph the Kumbh Mela at Prayagraj (the largest religious gathering in the World). Beforehand, we visited Delhi and Varanasi, and finally spent a few days photographing tribespeople inthe Ran of Kutch. [PDF of Itinerary is HERE]
One of the members of our group, an accomplished portrait photographer, had set his camera to display in black and white and was showing us some impressive images. In processing my images I decided to convert many to monochrome.
Last studio portraits of local tribespeople visiting our resort
The Maha Kumbh Mela 2025, a major Hindu pilgrimage festival, took place in Prayagraj (formerly Allahabad), Uttar Pradesh, India, from January 13th to February 26th, 2025. The Kumbh Mela is a major Hindu pilgrimage where devotees gather at the confluence of the Ganges, Yamuna, and mythical Saraswati rivers to bathe in the holy waters, believing it purifies the soul and leads to liberation. It was the world's largest gathering, with more than 660 million (66 crores) people taking a dip in the river. My main photographic objective from this overwhelming throng was to isolate vignettes capturing the spirit of small groups and individual devotees and sadhus visiting the Kumbh.
A small part of the Kumbh Mela, viewed from the bridge across the Ganges
Pontoon bridges across the Ganges
[High-resolution stitched panorama - click on the image to download full resolution file
Bhandara is a free community feast organized at religious gatherings, temples, ashrams, and social events in India. It is an act of seva (selfless service) where food is served to all, regardless of caste, creed, or social status.
One of the members of our group, an accomplished portrait photographer, had set his camera to display in black and white and was showing us some impressive images. In processing my images I decided to convert some to monochrome.