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Shoreline rocks
A new moon, with the milky way high overhead. I had planned to photograph again the next night, but after going ou for an evening shoot of the metal sculpturesin temperatures over 100F a band of then developing high cloud gave an excuse to go back to our air conditioned motel for a good night's sleep.
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![]() Un Diálogo, Dos Conversaciones marks a landscape with the sitcom staple that has two characters discussing something together, but talking about two totally different things. -Allison Wiese, Candlewood Arts Festival "Entry gates to a landscape of imagination" |
The Newtonian cage is presently stored in tne base of the dome,
The telescope was originally driven around its polar axis by clock drive that would regulate the speed at which it would sweep across the sky, tracing the arcs followed by the stars during the night. The mechanism is literaally like a giant grandfather clock, with the tube moved by the force of a massive falling weight. The photos below show the governor, with determined the speed of rotation. Tracking is now done with a conmputer-controlled electric motor.
Attached to the end of the 100-inch telescope in 1929 this equipment enabled Michelson and Pease to determine the precise diameter of a star, the red giant Betelgeuse, the first time the angular size of a star had ever been measured. |
A highlight at the end of a week at the John C. Campbell Folk School is the show-and-tell session when students present the arts and crafts they have created. I was particularly taken by the work of a class learning the ancient craft of paper marbling; a technique of aqueous surface design to produce patterns similar to smooth marble. [Wikipedia]. One print in particular stood out for its fine level of detail and repetitive but individually dissimilar floral patterning. Back at homeI wondered whether I could my photo of this as a starting point to create my own interpretations.
The images below are the results of a pleasant afternoon transformig the original photograph in Photoshop. I duplicated the image as a second layer, variously rotated this; and overlaid it on the base layer using different blending modes and ue and luminosity adjustments. [Click on the images to bring up at fullsize to better see the intricate detail/]
Blacksmith's shops
Garden
Around the kiln and sawmill
Student work presented at the show-and-tell
March 3 (Out of chronological sequence - catching up on posting older photos)
Anne and I embarked on a 2500 mile road trip to view the total solar eclipse in the Texas hill country. The eclipse was a bust for us, as clouds covered the sun at just the wrong time. We had a good view of the initial phase of the partial eclipse through thin, high clouds, but then a bank of thunderclouds approached as totality neared. All we experienced was a few minutes of relative darkness. But there were other rewards for the long drive, on which our Nissan Xterra passed the 260,000 mile mark. We found a beautiful spot to camp in the KOFA Wildlife Refuge in southern Arizona, surrounded by a profusion of wildflowers among the saguaro cacti and ocotillo; Saguaro National Park yeilded more saguaros, though not as photogenic as those in KOFA; and we made a first visit toChiricahua National Monument.
A night camping by Palm Canyon road for some astrophotography - a little consolation for missing the eclipse.
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I had booked a day pass at South Llano River State Park in the Texas hill country as a location on the total eclipse path that had a high statistical likelyhood of clear skies. But it was not to be; a storm front came in that morning, bringing clouds that obscured the sun only minutes before the eclipse. The only photos I took were of a profusion of thistles in the park, while waiting for the eclipse...
A brief afternoon detour to Chiricahua National Monument, with just enough time for a hike around the Echo Canyon loop trail. I did not find this an easy place to photograph as the rock pinnacles that are the iconic feature of the Monument get lost among the trees in the harsh afternoon sunlight. But, definitely somewhere to add to the list to come back and explore at more leisure, perhaps combining with nearby Cave Creek Canyon during the springtime bird migration.
We stayed two nights in Tuson, to visit Saguaro National Park. However, I found the National Park to be rather a come-down after our two days in KOFA, Too many people, too many rules and regulations and limited access ascompared to the myriad 4wd trails in KOFA.
Macro shots of tinyflowers and insects reveal intricate details not evident when looking by eye on the desert floor.
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Low angle light just before sunset and just after sunrise creates backlit haloes around cacti and ocotillo branches that stand out against hillsides still in shadow.
KOFA landscapes and cacti
I had hoped there might be snow around the tufa towers, but although it was snowing heavily at our cabin in June Lake village, the skies cleared and the temperature rose as we dropped 1000ft in altitude driving down to Mono Lake basin.
The shoreline of Mono Lake is constantly changing as the lake level rises and falls. In the face of contiued stream diversions to quench the thirst of Los Angeles here has been little systematic increase over the last 50 years toward the level mandated to acieve ecological sustainability. However, following two wet winters the level is now within about 1ft of the highest level since the 1970's, and water is starting to lap in places over the trail along the South Tufa.
Photographed with a macro lens, tiny desert floor flowers reveal intricate, hairy detail. These photos were taken as focus stacks in shaded daylight, with a black cloth positioned as a backdrop. Using the black level and shadows sliders in Photoshop I could then render the background as a perfect black, without affecting the exposure for the plants.
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"The Desert Lily, also known as the Ajo Lily or Hesperocallis undulata, is a beautiful wildflower that is native to the southwestern region of North America and can be found in the Anza Borrego Desert. This perennial plant grows from a bulb and can reach up to two feet in height. It produces long, narrow leaves and beautiful, fragrant flowers that bloom in the spring. The flowers are usually white, but can sometimes have a pink or yellow tint. Each flower has six petals and a yellow center, and can measure up to three inches in diameter." [Anza Borrego State Park]
Following a wet winter, desert lillies were plentiful in the Borrogo Badlande, with numerous plants blooming around our usual camping spot near Font's Point. That made it easy to do some night photography, eating dinner as the sun set and then wandering out with a LED light panel to photograph the flowers isolated against a dark sky background. The images below were generated using focus stacking to achieve a sufficient depth of focus.
The Nevada Northern Railway wasconstructed in 1905–06 to reach a major copper producing area in White Pine County, Nevada. Faced with declining ore reserves and low copper prices, the operator, Kennecott, closed its Ruth-area mines in May 1978, thus ending the ore trains between Ruth and the McGill smelter. The smelter closed on June 20, 1983, and the Nevada Northern suspended all operations immediately thereafter. In a series of donations beginning in 1986, Kennecott transferred the entire Ore Line, as well as the railroad's yard and shop facilities in East Ely, to the White Pine Historical Railroad Foundation, a non-profit organization that today operates the property as the Nevada Northern Railway Museum which operates a heritage railroad. [Wikepedia]
My photos of the railroad were, of course, photographed in color (there are very few monochrome digital cameras available!). But here is a selection of monochrome images, converted from my color photos. For this subject, I think this treatment is very effective nd gives a 'period' feel to the images. Locomotive 93 was built in 1906 - long before color photography was developed. Also, the tonal range in B/W can be pushed further to create a more dramatic look, whereas the same manipulations would appear unnatural in a color photograph.
100 ton capacity, built by Industrial Works in 1907. The only functional, steam-powered wrecking crane in the USA.
Around the depot
Locomotive #93. 2-8-0. Freight locomotive, built in 1909 by the American Locomotive Company in Pittsburgh. Originally retired in 1961. Last steam locomotive on the railroad to retire from revenue service. Restored in 1993. Heavily damaged in a collision with runaway railcars in 1995. Participated in 2002 Winter Olympics on the Heber Valley Railroad following repairs from collision. Beginning in 1993, used for the railway's excursion trains.
Diesel electric Alco RS-3, built in 1950. Bought new by Kennecott in 1950 but was never delivered to them. It was sent to Kennecott Copper Corp and was later sold to LA Department of Water and Power.
International Car Co, 1972. Steel frame and body, 8 wheel, wide vision, used in regular service.
We traveled on a tour organized by Joe van Os Photosafaris. For the first three days we were based in West Yellowstone village, and ventured into the National Park on snow coaches - 13 passenger Ford coaches equipped with enormous tyres for over-snow travel. They were never put to the test during our visit, as temperatures were unusually warm and the snow coverage remarkably thin. Indeed, snowmobiles were banned from the park For want of snow! For the next two days we were based at Old Faithful Snow Lodge, exploring the adjacent thermal features and geysers on foot. Finally, we traveled to the northo f the park for two nights at Mammoth Terraces. |
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Photos below are presented in reverse chronological order. For a more coherent layout by subject/place see HERE
Mammoth Terraces
![]() Two elk; Yellowstone National Park |
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Geyser eruptions are all white - so a monochrome conversion sacrifices little color information and allows greater contrast by darkening the sky to an extent that would appear unnatural if it remained rendered in blue.
On a cold winter day the clouds of condensing steam before and during an eruption tend to mask the actual column of erupted water. Here, I took advantage of the maleability of b/w images to more clearly deliniate eruptions with side- and back-lighting.
Coyotes - we see plenty of these around our home, but they look more elegant in a wild setting among snow.
Bison - the iconic species of Yellowstone.
I had hoped to shoot photos of snow-covered bison in blizzard conditions, but with the unseasonably warm conditions we had the best I got was snow-covered noses!
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